Sunday, June 28, 2015

The Third Dream

 

I have again taken your hand
And at Newport Beach walked
You across the sand into
A rock grotto, tasted the
Freshness of your breath
And watched with you
The sea rustle the tide pools.

I’ve helped you into
The cockpit of our West
Wight Potter and sailed
You ever so slowly out
Past the breakwater lights,
Out into the wash
Against the seaward side,

And later when mast
Lights went winking
On sailed back watching
The darkness fall knowing
It would lift later on
In dreams if not
In reality.

The Second Dream

 

They sat around me
In semi-darkness.
“What,” I yelled,
“Why am I here?”
“You think you’re so
Lilly pure.  You aren’t”!
A voice rumbled in the back.

“I think no such thing,” I yelled!
“And now she’s dying,
The voice went on.  “I did
Everything I could,” I cried.   
“Oh, everything”?  “I don’t
Know everything, I said
More quietly.  “Some people

Think you think you do.                   
“I can’t help that,” I whimpered.
“You can’t help anything,”
The voice said and dropped
An octave.  “I’ve got to get back,”
I said.  “She needs me.”  “Oh yeah,”
The voice sneered?  “For what?”

The First Dream

 

I felt my ribs.
Nothing broken, but when
I tried to stand the world whirled.
I went back down to hands
And knees trying to think.
She was gone I knew.
They’d taken her while

Others held me away.  I
Fought but they were too many.
Someone smashed my mind
And I went down.  I looked
About, found my knapsack
And the gun.  Too small for
This but something, and my knife.

The lights swam as I drove.
Where did they take her? 
I wound down into the darkness
Shut off the engine and waited.
The moon came out.  The dogs
Whimpered.  I’d forgotten
Them.  We needed to get back.

Auden’s Anxiety

On page 278 of Auden, Davenport-Hines writes, “In the summer of 1952 Auden suggested marriage to an elegant and generous young American woman Thekla Pelletti, whom he had met the previous year on Ischia.  She declined the proposal, wisely given his remark that if they had a son, ‘we must call him Chester’.  (In any case his marriage to Erika Mann had never been dissolved.)  His proposal showed his wish for emotional permanence, and was a reaction from the despair which sometimes engulfed both him and Kallman during their Ischia holidays.  In proposing marriage to a woman Auden was resisting what he was drawn to.  In ‘The Age of Anxiety’ Malin had denounced ‘the noble despair of poets’ as ‘posturing’:

    We would rather be ruined than changed,
    We would rather die in our dread
    Than climb the cross of the moment
    And let our illusions die.”

Comment: During the 30s Auden, and I think some other homosexuals, married women who needed to escape fascism.  Auden married Erika Mann in 1935.  Was the proposal of marriage to Thekla Pelletti in 1952 a sincere one?  Davenport-Hines believes it was, but Auden’s wanting to name their son Chester after the man he considered himself married to for a while and in love with for years, Chester Kallman, must surely have been off-putting for Thekla.

In Auden’s The Age of Anxiety, Malin was a medical officer in the Canadian air Force personifying “Thought.”  The poem won the Pulitzer prize for poetry in 1948.  It inspired a symphony by Leonard Bernstein, The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) and a 1950 ballet by Jerome Robbins based on the symphony.  Auden according to Davenport-Hines wished to overcome his own anxiety in 1952.

Auden was 45 in 1952.  When I was 45 I had been married to Susan for four years.  I was not thinking of my marriage as an escape from anxiety.  I had been anxious for awhile a few years earlier that she wouldn’t marry me but she eventually did.  Auden wrote somewhere that every one between the age of 35 and 45 has a crisis of some sort.  His, according to Davenport-Hines, had to do with a lack of emotional permanence.  At 80 I don’t know what that means, or perhaps I’ve had it all these years and take it for granted.  If so, will I miss it when Susan is gone? Did Auden miss not having it?

On the morning of September 30th 1973, Chester Kallman opened Auden’s hotel-room door to find him ‘turning icy blue’ on the hotel bed.

In my case, turning icy blue seems unlikely given the high temperatures here in San Jacinto, and the one to discover me won’t be opening a hotel door.  He will be a dog lying nearby.  I suspect he or she will mourn for several days.

The one who survived Auden, Chester Kallman died in Athens on 17 January 1975 at age 54 “of grief.”

Saturday, June 27, 2015

On Help

 

When she was an hour away,
More counting the time
To find parking, I would
Feel guilty not going or
Being there more often.
Now she is here, heavily
Breathing oxygen and getting

Percocet while I’m doing
All I’m able, realizing
She doesn’t know all
I’m doing.  And now
I’m borne down by
Those who come and stay
Or talk too long saying

They want to help.
There is no help
Which they would know
If they realized
The immensity of what
Is transpiring on a
Bed beyond their grasp.

Friday, June 26, 2015

A Great Good Place

Richard Davenport-Hines on page 234-5 of his Audin, quotes Griffin as saying, Audin “prides himself on his freedom from worldly possessions. . . . with him lack of a permanent habitation formed a humanistic release; he only wanted to search for men who actively believed in things he did.”

Further down Davenport-Hines writes, “Norse often saw Auden eating alone in a restaurant on Barrow Street.  ‘Barely looking up, he would grunt hello or merely nod and return to his book as if it demanded every precious moment of his attention.’

“Auden’s milieu on Cornelia Street is crucial to his creativity in the late 1940s.  He chose to make it his Great Good Place.  Caliban in ‘The Sea and the Mirror’ had presented a railway journey as a parable of life.  The dirty human traffic in waiting rooms, ticket queues and parcel offices provides the traveler with his chance: ‘it is in those promiscuous places of random association, in that air of anticipatory fidget, that he makes friends and enemies, that he promises, confesses, kisses and betrays’.  By contrast ‘the main depot’ of the railroad is only ‘the Grandly Average Place’.  The inspiration for Auden’s railway parable is a short story ‘The Great Good Place’ by Henry James which opens with an author named George Dane in his rooms, like Auden in Cornelia Street, engulfed by ‘an immense array of letters, notes, circulars, the pile of printer’s proofs’, by ‘periodicals of every sort’, but above all by books, ‘in wrappers as well as disenveloped and dropped again – books from publishers, books from authors, books from friends, books from enemies’.  Dane, who is near to breakdown changes places with an acolyte and is spirited away to a retreat which may be a sanatorium, or a sacred convent, or a hotel without noise, or a club without newspapers, or ‘a sort of kindergarten . . . of some great mild, invisible mother who stretches away into space and whose lap is the whole valley’.  Here the persecuted author finds ‘the vision and the faculty divine’. 

Comment: On page 236 Auden is quoted as saying ‘From now on the poet will be lucky if he can have the general living room to himself for a few hours or a corner of the kitchen table on which to keep his papers.”

As it happens I am using a kitchen table, a small circular table in the corner of the kitchen.  I’ve moved more and more books and things down from my study so I can read or write while being able to see or hear any change in Susan who is about ten feet away. 

A couple of hours ago I got a call from a very talkative lady who went on and on much too long about how she and another lady wanted to come over and be with Susan right then and perhaps give me some time off.  She was worried about me she said.  She didn’t mean to be pushy she said, but she and this other lady could stay downstairs with Susan while I went upstairs to rest.  I told her that I had moved everything I needed from my study downstairs, and that I was resting well enough unless guests got too noisy talking, singing, or playing music for Susan.  She kept on, really wanting to come over tonight.  I put her off.  I had a reason.  I had given Susan morphine for pain and she wasn’t able to respond to questions or even understand what was being said.  “Come tomorrow,” I said, after the morphine wears off.  But call first.”

I was never in circumstances like George Dane, at least not in regard to my writing, but I have begun to feel some pressure from the various people who come here to see Susan.

When I invited all Susan’s friends and family to come here to visit Susan I didn’t fully appreciate what that would mean.  They come according to their own convenience; which isn’t unreasonable; however I’m used to taking a nap whenever I feel like it, but I can’t do that any longer, that is not unless I shut my phone off.  And if they are here and stay too long and I need a nap I am out of luck.  Most people visit and stay a short time, but not everyone wants to do that.  Not everyone wants to leave.

My Great Good Place is my study as it has been since I retired in 1999, but it could be the rest of the house as well.  I’ve gotten used to this little corner of the kitchen.  Maybe if I have the whole house I’ll get used to other places.  

Would I ever eat alone at a place equivalent to Auden’s restaurant on Barrow Street?  I tend to think not, although I might spend an hour or two drinking coffee if a place is great enough and good. 

The parts of my house that are not my study were selected and arranged by Susan.   She set up a fairly nice kitchen with every thing a cook might need and I’ve learned to cook a little. 

Of fate and souls

 

Henley could be
The captain of his fate
But I can’t be
Anything of hers.
Tend her, I know,
But nothing that will
Lead to Restoration,

No great affirmation
Waiting here
Near her bed
Watching the rise
And fall is all
I do for now.
She said she never

Groaned, but I hear
Her melody.  Not
The sounds I have
Made but gentler,
Like a young bird
Wanting something
It barely understands.